ALFRED HITCHCOCK
les apparitions d'Hitchcock dans ces films (ou caméos)
image ci-dessus emprunté sur l'excellent blog suivant : https://hitchcock-et-les-acteurs.over-blog.fr/article-10466509.html
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| Family Plot (1976) |  With his widely-familiar but stern silhouette viewed through the frosted-glass door of the "Registrar of Births and Deaths." Hitchcock appears to be arguing with an elderly woman and accusedly jabbing and pointing his finger. |
40 minutes |
| Frenzy (1972) |  In the center of a crowd, wearing a black bowler hat, facing to the left. He is the only one not applauding the political speech-maker (delivering a speech about pollution and cleaning up the Thames River). A moment later, he is among bystanders watching as another necktie murder corpse (naked) floats ashore. He listens as a white-bearded crowd member (Joby Blanshard) talks about the grisly tactics of Jack the Ripper. |
3 minutes |
| Topaz (1969) |  In a crowded LaGuardia International Airport scene, seated in a wheelchair as he is being pushed by a nurse under a sign with an arrow reading "United Airlines - To Planes." He miraculously stands up from the wheelchair, greets and shakes hands with a man, and walks off to the right. |
33 minutes |
| Torn Curtain (1966) |  In Copenhagen, sitting in the large Hotel d'Angleterre's lobby entrance with a blonde-haired baby in his lap (who possibly wet itself), with his back to the camera. During the brief cameo, the music changes to resemble the famous "Hitchcock theme," also known as the Funeral March of the Marionette. |
8 minutes |
| Marnie (1964) |  Entering from the left of the hotel corridor from a hotel room after Marnie Edgar (Tippi Hedren) has passed by with a bellman carrying her things. The director looks guiltily at the camera. |
5 minutes |
| The Birds (1963) |  Leaving downtown San Francisco's Davidson's Pet Shop with two white terriers (Hitchcock's own Sealyham terriers Geoffrey and Stanley on leashes) as elegantly-dressed blonde Melanie Daniels (Tippi Hedren) enters. |
2 minutes |
 Psycho (1960) |
 Wearing a large cowboy hat and discretely viewed through Marion Crane's (Janet Leigh) office store-front window, loitering or standing on the sidewalk, as she returns to her Phoenix real estate company after a lunchtime quickie in a cheap hotel with lover Sam Loomis (John Gavin). |
7 minutes |
| North By Northwest (1959) |
 At the end of the opening title credits sequence in a bustling NYC, missing a green city bus that slams its door in his face, anticipating a similar scene in the countryside near a cornfield when a bus door shuts on Roger O. Thornhill (Cary Grant). |
2 minutes |
| Vertigo (1958) |
 In a gray suit walking across the street past Gavin Elster's (Tom Helmore) Mission District shipyard and office in San Francisco, in front of columns and a newspaper rack, carrying a horn (or trumpet) case. |
11 minutes |
| The Wrong Man (1956) |  (Narration Only) Hitchcock (in silhouette) narrates the film's prologue and introduces the film's true story before the credits appear. Not a traditional cameo, but this was the sole time Hitchcock actually spoke in any of his feature films. |
Beginning of film |
| The Man Who Knew Too Much (1956) |  Hitchcock was the balding man (on the left side of the frame with his back to the camera) watching a troupe of acrobats in the crowded outdoor French Moroccan (Marrakesh) marketplace, just before the murder of Louis Bernard (Daniel Gelin). |
25 minutes |
| The Trouble With Harry (1955) |  (Not easily identifiable) Walking past a parked-by-the-side-of-the-road limousine of an old man who is looking at Sam Marlowe's (John Forsythe) outdoor stand/exhibition of artwork and paintings. |
22 minutes |
| To Catch A Thief (1955) |  Staring straight ahead and sitting motionless to the left of John Robie (Cary Grant) in the rear-seat of a bus, revealed as the camera slightly panned to the right. To Robie's right is a woman (Adele St Mauer) with a bird cage (containing two birds). |
10 minutes |
| Rear Window (1954) |
 Winding/repairing a clock in the songwriter's/musician's (real-life composer and vocalist Ross Bagdasarian, Jr.) apartment, across from where J. Jefferies (James Stewart) was being a voyeur. |
26 minutes |
| Dial M for Murder (1954) |  On the left side of Tony Wendice's (Ray Milland) Cambridge class-reunion dinner photograph hung on the wall, turning back and looking up to his right, seated at a white table-clothed table. The framed photograph was taken off the wall by Tony and shown to Captain Lesgate/Charles Swann (Anthony Dawson) (Swann was blackmailed into murdering Tony's wife), who is across the table from tuxedoed Hitchcock in the photo. |
13 minutes |
| I Confess (1953) |  Strolling across or along the top of a long flight of stair-steps in Quebec, in a long-shot silhouette filmed at a distance, during/after the opening credits. |
1 minute |
| Strangers on A Train (1951) |  Struggling to board a train with a very large and awkward double bass fiddle (similar in shape to Hitchcock's own rotund body), as Guy Haines (Farley Granger) gets off in his hometown of Metcalf. |
10 minutes |
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| Stage Fright (1950) |  Walking by, and then turning back to give a prolonged side-look and stare at Eve Gill (Jane Wyman) on the sidewalk. He is unconvinced and puzzled by her disguise to pose as Doris Tinsdale - the replacement maid of Charlotte Inwood (Marlene Dietrich). |
39 minutes |
| Under Capricorn (1949) | Two appearances:  (a) In Sydney's town square during a parade, in the milling crowd wearing a grayish coat and brown hat (right side of picture, back to camera?). (b) One of three men on the steps of Government House. |
3 minutes 13 minutes |
| Rope (1948) | Two appearances: (a) in the opening credits, one of two pedestrians walking up a NYC sidewalk and passing a fire hydrant (he's holding a newspaper, and a woman is on his left). (b) Hitchcock's trademark silhouette/caricatured profile can be seen briefly but blurrily on a flashing red neon sign seen in the far distance through the apartment window. His recognizable profile is above the word "Reduco" - a fictitious weight-loss product. |
Beginning of film (after opening credits) 55 minutes |
| The Paradine Case (1947) |  Disembarking from the train at England's Cumberland Train Station, carrying a cello case, and just behind Anthony Keane (Gregory Peck). |
38 minutes |
| Notorious (1946) |
 As a guest at a grand party in Alex Sebastian's (Claude Rains) mansion, lifting a glass of champagne to sip at the champagne table, and then quickly leaving. |
64 minutes |
| Spellbound (1945) |  As Dr. Constance Peterson (Ingrid Bergman) enters the Empire State Hotel lobby, Hitchcock (in a double-breasted suit) is coming out of a crowded elevator, carrying a small violin case and daintily smoking a cigarette. |
43 minutes |
| Lifeboat (1944) |  In "before" and "after" pictures displayed in a newspaper ad for Reduco Obesity Slayer, a slimming 'fat reduction' product - a men's corset, on the back side of a newspaper being read by Gus Smith (William Bendix) on the lifeboat. |
25 minutes |
| Shadow of A Doubt (1943) |  On the train to Santa Rosa carrying Uncle Charlie (Joseph Cotten), playing a card game (and having a potentially-winning hand - a full house of spades) with a husband-doctor and wife couple, with his back to the camera on the left side of the frame. |
17 minutes |
| Saboteur (1942) |  Not easily identifiable. At a NY news-stand, standing just behind the saboteur's car (carrying Barry Kane (Robert Cummings)) that pulls up in front of the Cut Rate Drugs store window. |
64 minutes |
| Suspicion (1941) | Two appearances: (a) Walking a horse across the screen at the hunt meet.
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4 minutes 47 minutes |
| Mr. and Mrs. Smith (1941) |  Walking with a cigarette past Mr. David Smith (Robert Montgomery) in front of his building where he lives with wife Ann Smith (Carole Lombard). |
43 minutes |
| Foreign Correspondent (1940) |  After Johnny Jones (Joel McCrea) leaves his hotel in London, Hitchcock - almost directly in front of him, is walking down the street wearing a coat and hat and looking down while reading a newspaper. Jones hears the hotel concierge call out Van Meer's name and runs back. |
12 minutes |
| Rebecca (1940) |
 Walking behind Jack Favell (George Sanders) who was speaking to a policeman after making a phone call in a phone booth. |
126 minutes |
| The Lady Vanishes (1938, UK) |  Walking on the platform of London's Victoria Station (as Gilbert Redman (Michael Redgrave) and Iris Henderson (Margaret Lockwood) return to the city), wearing a black coat and puffing on a cigarette. |
92 minutes |
| Young and Innocent (1937, UK) |  Outside the public entrance to the courthouse just after Robert Tisdall (Derrick De Marney) has managed to make an escape from incompetent police, posing as a photographer (director!) and holding a camera at waist-level. |
16 minutes |
| Secret Agent (1936, UK) |  (Very Speculative) Coming down a ship's gangplank (wearing a bowler hat, with a mustache), appearing just before British novelist and war hero Captain Edgar Brodie/aka spy Richard Ashenden (John Gielgud). |
8 minutes |
| Sabotage (1936, UK) | Walking on a sidewalk from the center to left of screen, looking up right after the lights are turned back on and before the lady shuts the kiosk window. | 9 minutes |
| The 39 Steps (1935, UK) |  As a passerby, tossing some litter (a white piece of paper) away in front of a bus at a bus stop, while Richard Hannay (Robert Donat) and Miss Smith/Annabella (Lucie Mannheim) escape from the music theater commotion. |
7 minutes |
| The Man Who Knew Too Much (1934, UK) | (Speculative) Walking across a road in a dark trench coat as a bus passes. | 33 minutes |
| Murder! (1930, UK) |  Walking with a female companion past the boarding house - the scene of the murder crime - in front of a few other people (including Sir John Menier (Herbert Marshall) who is leaving with Dulcie (Phyllis Konstam) and Ted Markham (Edward Chapman)). |
60 minutes |
| Blackmail (1929, UK) |  After girlfriend Alice White (Anny Ondra) and Detective Frank Webber (John Longden) leave the police station, they board a London Underground train. Hitchcock is seated to the left of the frame in the subway carriage behind them, as he is bothered, irritated and angered by a small boy (who pulls his hat over his face) as he reads a book. He engages in a stare-down with the lad. (19-second long cameo, one of his longest) |
11 minutes |
| Easy Virtue (1927, UK) |  Outside a lawn tennis court in the South of France, he is a chubby passer-by who walks near a side gate, carrying a walking stick or cane and wearing spats, near where Larita Filton (Isabel Jeans) is seated. |
21 minutes |
| The Lodger: A Story of the London Fog (1927, UK) | Two appearances: (a) At a desk in a newsroom (with back to camera). |
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(b) Mailing a letter at a village pillar mailbox, in a long-shot, as Mrs. Newsham (Isabel Jeans) parks her car outside the post office to meet a friend in town.
